ART REVIEW: DOMINIQUE CHAVAUX

Apart from being a source of aesthetic pleasure, art is also a medium through which artists convey important messages, social commentaries and critiques. Cradled within the aesthetic value of art are symbols, allegories and various depictions the artists use, overtly or covertly to expose or ridicule human foibles, vanity, hypocrisy or social and political injustices. Dominique Chauvaux is one of the artists who stretches the boundaries of the art form to alert us to a tear in the tapestry of our collective consciousness and social life, to the disappearance and unresolved murders of a number of indigenous Canadian women.

Chauvaux’ arresting candle flame paintings capture both the beauty and the terror of human existence. With masterful strokes and striking charcoal effects, she portrays faces whose gazes bore and burrow deeply into the spectator’s heart. One cannot behold these portrayals without feeling a deep stirring in the soul, which serves as an art-clad reminder of the violently extinguished dreams behind the faces.

The soot-like smudges produced by the magic of the candle flame create lasting impressions and engage the spectator into the interpretative dance of meaning. The eyes of the depicted individuals exude a spectrum of emotions immortalized by the artist’s touch. They bespeak sadness, astonishment, defiance and puzzlement compelling attention and calling for action. Even though the hand of time on the clock of justice moves achingly slowly, the faces of the victims etch themselves into our consciousness nudging us gently to guard their identity and their memory against our collective amnesia.

The contours themselves speak a language of their own, allowing those who engage with these unique works of art to unravel the story in search of closure. In the hands of Chavaux, the candle flame turns into a narrator etching each individual story into the haunting gaze of those we have lost so prematurely.

Chavaux’s intricate technique coupled with the forget-me-not message strikes a powerful chord with everyone engaging with her art. Symbolically, the art produced by the candle flame is the eternal fire of a painful memory the society needs to keep stoked, for we owe it to the women we lost.


About the author:

As far back as she can remember, Jana Vasilj-Begovic has been fascinated by storytelling. Her love of reading and writing propelled her toward studies of languages and literature resulting in B.A. degrees in English and German Languages and Literature, an M.A. Degree in Literary Criticism, as well as a B.Ed. Degree in English and Dramatic Arts. 

Among her publications are an academic article published by Cambridge Scholars, UK, the novel “Poisonous Whispers” published by Roane Publishing, N.Y., poetry, short fiction, articles, art reviews and blog posts featured in literary journals, such as Ariel Chart, Chantwood, and the Pangolin Review. She is a contributing editor of Ariel Chart, as well as a regular writer and contributor to the Canada Fashion Magazine. Currently, she is finalizing her second novel, and a collection of children’s stories. She lives in Ottawa, and works for the Government of Canada as an education specialist in the field of military language training.
About the artist:
Dominique Chauvaux draws and paints in response to the overwhelming need to express the questions, concerns and wonders aroused in her by the mystery of life.  She is interested in transitional periods, trauma and recovery, loss and rebirth.  Through her art, she strives to go beyond one’s appearance, to the energy that connects and animates all human beings.  She wants to translate the dignity of the person, regardless of age or physical traits. Through her work she attempts to realign herself and reorder today’s sometimes chaotic pace of life.  Painting and drawing people is a way to understand others as well as a search to self discovery.
The Flames exhibition is a testament to the fragility of the existence of the native women of all ages whose lives were violently blown away leaving no trace except for tears, sorrow and incomprehension.
By letting the soot and the candle flame caress and sometimes even eat away at the white of the paper the artist, Dominique Chauvaux, wanted to shape a face for these victims by bringing out of the darkness the brightness of their souls.