Life in a Sterile Environment: A Case Study
1.
Manna must be pried
from the road. A tow headed boy
helps me. We’re a couple:
mother/son, father/daughter,
lovers. The mind is made
to accept so much, truth
we couldn’t possibly verify
except to point out
new hairs around my nipples.
Al growth will have to come
from within. These rocks
are not unlike the puffball cakes
I sprinkle sugar over
on holidays.
2.
We pile manna on my skirt.
I’m only ashamed of not being much
to look at. Once
I dreamt of stripping
in front of Hajek’s Bakery,
lying prone on hot cobblestone
until officers covered me
with a sheet.
The boy thinks only of manna,
should we eat it raw
or cooked? Should we save some
or is it true the supply’s inexhaustible?
I give him a piece, he won’t swallow it,
won’t be greedy in this time of plenty,
he can’t remember ever having more
not in the last hundred years.
He’d forgotten how long he’s lived,
How much he’s eaten can’t die
or starve. He throws the manna,
hands me my skirt.
There’s something eternal at work,
not the long-sought peace but. absence.
3.
We sketch birds in the dirt,
stare at them till they fly away
then we thank any idea of God
that remains in the rubble
of St. Andrew’s
holding hands so tightly
we break the nails;
yes, we were good parents,
he tells me, staring at the empty sky,
we let go.
He leads me to the fishmonger’s stall:
Interpreter, tour guide, seeing eye,
Composer of epitaphs,
Here, seek-brick-hued carp
shined like new money
That’s when you buy,
after the ice under them melts,
after they stink. A good price then.
He spins a wheel of the overturned cart,
starts the monger’s steely voice.
“Love for sale.” Buy it, I plead.
“Going once.” Buy it. “Going twice.”
“Gone.”
4.Final observationsThe couple who has everything
leaves the stall, hugging the stinking
parcel, passing it between them.
From a distance they’re like
hosiery seams on a bowlegged woman.
After sunset they pale
into the thinnest glass,
weigh less than reflections.
Small crucifixes on filigree chains
fall through them.
Art: A Change is Gonna Come by Gary Frier
About the author:
Thylias Moss, a self-employed multi-racial “maker” Thylias Moss Writing LLC, is also Professor Emerita in the Departments of English and Art & Design at the University of Michigan.Author of 13 published books, and recipient of numerous awards and honors, among them a MacArthur Fellowship, and a Guggenheim Fellowship, and many other awards, including several Pushcart Prizes, and multiple appearances in the “Best American Poetry” series and is even included in in the “Best of the Best American Poetry” series, all of this part of her approach to making stuff known as Limited Fork Theory an approach to making and thinking developed in order to assist co-makers and co-learners to become more collaborative in thinking and being. All about how things interact across all boundaries, and encouragement of interaction that becomes more meaningful over time; all have collaborators. Nothing makes alone, and everything makes; there is nothing that exists that does not make stuff in some form, which is also open: any form that becomes possible; invent whenever necessary. “Making” is not static, is evidence of life.She has completed with her primary collaborator, himself a poet, spoken word artist Mr. Bob Holman, with whom she is in a meld, as he said to her, “The Fire will meld us together”, and this poem “Crepe Paper, Golden Coach Tether system” contains that precious word “meld” that defines their Love connection, and is actually a poem from an as yet unfinished collection of poems about his hat, a Golden Coach, as it says on the silken lining. She often wears his hat. She is working on a number of collaborations after her next collection of poetry Shawsheen Memorial Broom Society.
Connect with her on these websites:
http://www.4orkology.com
http://www.midhudsontaffy.com
http://www.moxiesupper.com
http://www.lex97.com
http://www.thyliasmoss-writer. com
Art: A Change is Gonna Come by Gary Frier
In the artist's words:
Qualified as a Graphic Designer at the Cape Peninsula University of Technology in 2004. Currently working as a freelance artist and teaching art at Zonnebloem childrens art centre and Valkenburg Psychiatric hospital. As well as a local N.G.O. the Observatory Neighbourhood Afterschool programme which provides educational and cultural programmes for youth at risk. He has exhibited extensively both locally and abroad including institutions and galleries such as, Greatmore Studios, Idasa (Institute For Democracy in South Africa ) and Durbanville Cultural Society, Irma stern museum, Battswood Art Centre, Cape Gallery ,Stateoftheart gallery, AVA(Association of Visual Arts)gallery, Caledon Museum, Fordsburg Art Studios (Bagfactory) , Institute of Training and Education for Capacity Building (ITECED) library, Alliance Francaise de Mitchell's Plain,Alliance Francaise du Cap in Cape Town, Klein Karoo National Arts Festival (KKNK), Edgemar Centre for the Arts in Santa Monica in the U.S.A, the Artscape resource centre and the Spanish ambassador’s residence. His work can be found in these corporate collections, private and government collections: Old Mutual art collection, Bertha Foundation ,Peuple et Culture – Brest (France) BP South Africa (Cape Town) Joop van den Ende Theater productions – Holland Embassy of USA, Nairobi, Western Cape Department of Economic development. As well as private collections worldwide. Artists statement “I believe that making art is a compulsive act of self expression that can only be realized through the collaborative act of creating and experiencing. Creating art for me is about constantly reflecting on my place in the reality. Using art to express a emotional and intellectual and tactile value, discovering how to distill and interpret my interaction with what surrounds me and documenting that personal relationship.