Art: Seascape, Galicia, Spain by Boré Ivanoff

*

It has nothing to do with the banjo –this chair

aches for wheels that will rust, wobble

the way riverbeds grow into something else

 

–where there was a mouth, there’s now wet dirt

and with a single gulp the Earth is drained

by a compass that points to where it’s from

 

and you are eased room to room

as an endless sob drying in your throat

–you sing along till side by side

 

each wheel becomes that afternoon

that folded one hand over the other

as if for the last time.

 

 

*

As if these gravestones were once a forest

between each there’s still the breeze

from wood and leaves and winter

 

though under your fingertips the initials

warm, are already stretching out

the way a beginner tree wants to be lit

 

then at its highest even in the cold

grows a small stone that will ripen

and stay red for the arrow

 

carved around two rivers and the heart

brought closer, smelling from the caress

that is not a blouse or its ashes.

 

 

*

Though the bed died during the night

this sheet is reaching for flowers

still warm from the last time they saw daylight

as one more hole in the Earth

 

–it’s for them you heat the room

with wood each morning heavier

breathing in the way you fill your arms

with sores no longer holding on

 

–this bed was left to die in the open

as the space between two pillows

that grieves with the ancient scent

cooling your lips among the ashes.

 

 

*

A spotless avalanche, minutes old

already bathed the way this rope

begins as rain then ponds

 

then oceans slowly covered with masts

from hard tall ships –you dead

still cling to the rocks and what’s left

 

when mourners leave too close to each other

–you stretch out though your arms

are now the endless undergrowth

 

half tied to shadows, half your slow descent

as if the sky was never enough, comes by

weaker and weaker till your breath

 

becomes weightless –say it! what you hear

is one stone telling the others who it loves

what it began so late in the afternoon.

 

 

*

What was siphoned off the sun

could just as easily be this tree

and each branch carried out

 

struggling with moss and faraway

–who can tell it’s not this tree’s

last chance to sort the light

 

as if going somewhere was still possible

that love too is possible –all this wood

even in winter arriving to gather you up

 

as leaves, shining, smelling from dew

already beginning to blossom, impatient

for arms and shoulders and the fire.

 

About the author:
 
Simon Perchik is an attorney whose poems have appeared in Partisan Review, Forge, Poetry, Osiris, The New Yorker and elsewhere. His most recent collection is The Osiris Poems published by boxofchalk, 2017. For more information including free e-books and his essay “Magic, Illusion and Other Realities” please visit his website at www.simonperchik.com.
To view one of his interviews please follow this linkhttps://www.youtube.com/watch?v=MSK774rtfx8
 
Art: Seascape, Galicia, Spain by Boré Ivanoff
 
In the artist's words:
 
Boré Ivanoff. Eastern European- born, contemporary, protean artist, based in Paris since 2001. Since 2012 he paints exclusively Paris. Parisian views, ‘jamais vu’ motives are his special feature, blurring the line between abstraction and realism. For Boré Paris it’s the kind of place that offers the right combination of inspiration and pain and suffering to keep him stimulated and painting. Independent and self-confident, with a remarkable ability to surprise and intrigue the viewer … he prefers the enigmatic, the unconventional, and the unexpected. His work is precise, yet it teeters on the threshold of delirium and chaos. He brings outrageous levels, of pictorial realization to his work. His compositions are a sophisticated exercise in the manipulation of form, keyed-up color, density, illusionism, brushwork, and compression. The interior and the exterior merge to produce a single image whose complexities are almost impossible to untangle. The result is which the abstract nearly trumps the real. Boré wants to see how far he can push reality to the other side where the “real” is still recognizable, but becoming totally abstract, building that tension until they are just one and the same. Boré Ivanoff (BG-FR) https://boretzart.wordpress.com/