Art: Cyril Larvor

On Becoming French Okies

“French” invokes Paris, Eiffel Tower, Notre Dame Cathedral, fine cuisine and wine. But there are other places where “French” has fostered for centuries.

With name like “Boudreau” and my wife, Dorothy, maiden name being “Cottreau” and both having grown up speaking French in a fishing village, southwest Nova Scotia, no doubt, make us “French,” specifically “French Acadian.”

Nineteen-seventy-one, working for Honeywell in Massachusetts, I accepted their offer to transfer to Oklahoma City. I knew little about Oklahoma. Anticipating relocation, friends and family made comments: “Why are you going out there? There’s nothing but cowboys and Indians.”

Honeywell flew me and Dorothy to Oklahoma City to look at houses. Approaching landing at the Will Rogers World Airport, the city’s sparkling points of lights spanned for miles in all directions. June, we immediately felt the warm air and human warmth at the Holiday Inn. Our ears heard friendly southern drawl for the first time.

Following a tour of the Honeywell plant, a real-estate agent drove us through several neighborhoods looking at houses. We saw better styles and prices than accustomed to in Massachusetts.

That night, we dined at the Chandelle Club restaurant on the top floor of the United Founder’s Tower. Seated 20 stories high, eating and slowly rotating 360 degrees, a spectacular panoramic view of the city added to the delectable food—night lights emerging in the twilight.

Next day, we were escorted through the famous Cowboy Hall of Fame. Inside, the tour displayed historical and cultural artifacts that enlightened us to a way of life instrumental to the United States’ westward development, and pioneers’ hard work. We glimpsed at how the Native Americans, cattle and oil industries enriched the Oklahoma’s growth.

Excited, we moved to Oklahoma City—a friendlier environment, better house, moderate climate, and a calmer way of life. We bought a house in Windsor Hills. We still live there today.

September 1971, settled in our new home, children in school, as time permitted, we explored Oklahoma beyond Oklahoma City.

I remember a tornado devastating Union City. I drove the family there and witnessed nature’s destructive power, common in Oklahoma.

On landscapes, like giant mechanical mosquitoes, pumps labored, sucking oil from the ground.

In 1972, I pledged my citizenship vows to the United States of America in the Murrah Federal Building.

We noticed our children lingering some of their spoken words.

One weekend we drove to the Alabaster Caverns, northwest Oklahoma. I hadn’t imagined such geologic structure existed in the Plains. We saw live bats in natural habitat. Spending the night in Woodward, we went to the Great Salt Plains. Exited, the children dug crystals and brought them home.

In the Wichita Mountains we visited a spiritual site called “The Holy City.” Inside a small chapel, mystical silence enshrouded us. Meager ornaments and lit candles conveyed a feeling of being touched by the Divine. Not far from the chapel, in front of a shattered red stone wall, three crosses pinnacled the elevated earth. During Easter festival, large crowd gather to witness the reenactment of Jesus’ Crucifixion.

On Mount Scott, unbeknownst that Oklahoma had such a vista. On a rocky ledge, we saw a rattlesnake, rattling its tail. We saw American buffalos and long-horn cattle.

Fort Sill, we learned of Geronimo’s prominence. We had dinner at the historic Old Plantation Inn restaurant in Medicine Park.

One Sunday afternoon we drove along the famous Route 66 from Oklahoma City to Tulsa.

A trip to Robbers Caves, southeast Oklahoma, found me driving winding roads, dwarfed by tall-tree forests that seemed out of context to other Oklahoma landscapes. Boulders formed hide-a-ways, professed that notorious outlaws used the hide-outs in the early 20th century.

Spring, in Waurika at a Rattle Snake Festival, ate cooked snake (I liked it), bought crafts made with rattlers’ heads, skin, and saw thousands of vipers in an enclosure where a man prodded the snakes. Rattling tails that sounded like hundreds of cicadas, an insect we had not seen and heard until we moved to Oklahoma.

Guthrie, the original Oklahoma Capital, where roots took hold of the land, and sprouted throughout the Territory. In the Territorial Museum ruminant implements, photographs, and paintings told of the rugged, hard-working men and women who endured and labored after the land-run of 1889.

North in Ponca City, admiring the statue of a Pioneer Woman holding the hand of a child, exemplified women’s contribution to the development of the land.

My perception of Native Americans was limited to what I had seen in western movies. I learned that Native Americans consisted of many tribes: Cherokee, Cheyenne, Kiowa, Apache, Comanche, Chickasaw, and Kickapoo, to name a few.

Visiting Tahlequah, capital of the Cherokee nation, gave us an insight into the culture, written language, and suffering along the Trail of Tears of the 1830s. The story reminded me of the Acadian expulsion in 1755. More recently, we visited the Chickasaw Cultural Center, in Sulphur, Oklahoma.

Every April, having experienced, and performed at the Oklahoma City’s Festival of the Arts, signify Oklahoma’s appreciation, and appetite for the fine arts—painting, sculpture, music, craft, food, and storytelling.

And for many years, I’ve participated in Rose State College’s Global Oklahoma, a festival of cultures. Occurring early Fall, a multitude of nations exhibit their music, dance, food, and craft. Global Oklahoma offers a global vision of the world.

In 40 plus years I’ve seen Oklahoma, especially Oklahoma City rise to full bloom, exhibiting a diverse, vibrant present and future. In the 1970s, the Myriad Garden and Crystal Bridge emerged. More recent, the redevelopment package known as Metropolitan Area Projects (MAPS) rebuilt the city’s core with civic projects: Baseball Park, Central Library, renovation of the Civic Center, Convention Center, Historical Society, and a water canal through the entertainment district of Bricktown. Blending Asian and Hispanic cultures in Oklahoma City’s society, flourishes.

Sometimes, Dorothy and I still speak French to each other. And because of our accent, we are frequently asked, “Where are you from?”

I often answer, “We’re French Okies!”

About the author:
 
Bill Boudreau is a French-Acadian, born and raised in a small fishing village on the southwest coast of Nova Scotia. Bill has lived in Montreal, Ottawa, Canada, Massachusetts, and now reside in Oklahoma City since 1971. Bill graduated from the Montreal Technical Institute and earned an MBA at Oklahoma City University. He retired in 2000 following a long career in the computer/system software engineering, and management that stared in the 1960s. Since his retirement, he became a writer—fiction, non-fiction, and poetry—self-published 10 books, published in numerous journals and online literary websites, book publisher, website designer, and a singer, with guitar accompaniment. He writes French and English songs. He has performed, singing his songs and vintage ballads and love songs at the Oklahoma City Festival of the Arts, Art Moves, Oklahoma State Fair, Global Oklahoma, nursing and retirement homes, and coffee shops. He maintains an active supportive role in the Oklahoma poetry community. You may visit Bill’s website at: www.billboudreau.com.
 
Art: Cyril Larvor
 
In the artist's words:
 
My Black Bird artist name is a wink to the crow who is an animal who is often hated by his appearance as the black cat, but who is also revered by a tremendous amount of culture and seen as one of the smarter animals capable of counting and speaking. Speaking … and I have already seen it.I have always drawn, painted and photographed. I wanted to be a cartoonist in advertising or photography, but I went to study in business and computer science.For 15 years I worked in the directions of information and computer security. 2 years ago I stopped to return in my first love the art and the human. My influences are vast; I was born in the 80s in the northern suburbs of Paris where social and cultural diversity is enormous. The 80s were a huge source of artistic inspiration. In addition to contemporary art and all other movements, there was the appearance in France of graffiti, manga, hip hop, computer science and the evolution of photography and television. All this has to influence. Since my return in the art, I exhibit in the galleries. The Lavomatik, also proposes music, the book …. ART21, a gallery in Montmartre, a district which likes and others a little everywhere.My other activity is in the human and the association. I collaborate with many associations that have been used as a means of communication and income.I collaborated with associations to help orphaned children, children in difficulty, migrants and give them the means to express themselves through Mixart art. An association for the protection of the oceans Bloom.An association against skin cancerAssociations against poverty and exclusion: Emmaus, restaurant of the heart… J organizes painting workshops with children or disabled people and also grafiti classes. My inspirations are unlimited, including painting or in pictures, and I like mixing the two. My philosophical tendencies are in sharing, cohesion and construction or reconstruction away from destruction. My tips are simple. Create with your heart and share your art positively. For my art, I use all media and types of paints, but I have a preference for acrylic and aerosol: street art tools, and for digital photography and desktop publishing. To contact me, I am in the gallery Art21, otherwise by Facebook https://www.facebook.com/The-Black-Bird-BLB-465375923644961/.My project with the origamiist ​​Manuel Belhamissi Security Check Requiredto Cyril Larvor or by mail for all personalized orders cyril.larvor@gmail.com.Long live art.