Art: 80s by Alex Duensing

The Lovers

1.

You’re twenty-two, kneeling

in front of a bookshelf. Albums lean

drunkenly over each other,

mingle, flirt. And the novels, heavy

from too much ink, give way

to them. I barely recognize

you, blackhaired and smirking.

That T-shirt from a street

vendor says we loved

in London. In the negative space

of the graphic, against

a screenprinted mountain,

a man looks to a woman

who, like me, looks to the sky.

 

2.

A woman who looks like me dresses

in front of the window. Her back

is scratched to tattoo, Mercury

and six stars in cygnet. The music is so loud

mismatched furniture moves aside,

leaves her turning, turning, breasts

exposed against a field of chipped

and peeling paint. From my voice,

you can tell I’m searching

for a way to ask how late

you’ll be, and if there’s water,

or time, where you are. You cradle

the phone.  I draw the shades.

 

3.

In the mirror, you trace the half-moon

of the scar, ask me if I miss the piercing.

I lie, and like a cat, nudge your face,

go back to bed. We talk through the wall,

so thin and yielding for our sake.

Me in my skin, counting the cost

of these many years’ love.  You saying

yesterday, at the farmer’s market

you saw a man like Raphael,

held out by the sun, selling salves

for healing.  Me, remembering rain

and cigarettes, and their way of

needing.  You, coming back to me.

About the author:
 
Sherre Vernon is an educator, a poet and a believer in the mystical power of words. Sherre has written two award-winning chapbooks: Green Ink Wings, her postmodern novella and The Name is Perilous, a 2008 poetry chapbook. Sherre's work is heartbreaking, richly layered, lyrical and intelligent. She strives for linguistic efficiency by stepping outside of familiar phrases into a dynamic, shimmering grammar.
 
Art: 80s by Alex Duensing
 
In the artist's words:
 
Alex Duensing. Graduate of William Paterson and Columbia? Yes. Ran for St. Petersburg, FL City Council? Yes. Won? No. Stopped Mayan Apocalypse on rooftop with performance art? Yup. Strange but nice fellow? Clearly. Able to create mechanical engines that run completely on the energy a person creates while appreciating a painting? On occasion.