A portrait of a vase on a table
The moon in the wall, in the park,
dusty is crooked. Then a picture
of a nail in the wall, a chair
covered leg, crooked ducks.
A hat is too weeds, too weeds
all along the growing wall. A day
in the corner of the attic
so alley, we laughing a rotates
is a farm house, a table
and making faces. A covered
with dust chair a standing is in
the corner, ducks and elevation.
Along hill, corn, corn a field
spills out into the alley an outlet
crooked dusty road too growing.
About the author:
I was born awhile ago. Same year as Pollock's Blue Poles and Cage's 4'33". I was always drawn to art and music, too, come to think of it. That my prose and poetry both have been accused of being musical pieces made from words instead of notes has always tickled me. The four poems I'm sending you are all from this century, the first three are early and the fourth one is from last year. In between was time spent writing a novel. Speaking of music, that novel, my second, was turned into an opera. What fun! The recent poem was recently performed at a music festival--Echofluxx 2018--broken up with lines distributed among four people who recited their lines in any order and then, at a cue, recited the "poem" in the order I've sent you. Also fun, come to think of it.
Art: Ingrid Standard's Web by Cyril Larvor
In the artist's words:
My Black Bird artist name is a wink to the crow who is an animal who is often hated by his appearance as the black cat, but who is also revered by a tremendous amount of culture and seen as one of the smarter animals capable of counting and speaking. Speaking … and I have already seen it.I have always drawn, painted and photographed. I wanted to be a cartoonist in advertising or photography, but I went to study in business and computer science.For 15 years I worked in the directions of information and computer security. 2 years ago I stopped to return in my first love the art and the human. My influences are vast; I was born in the 80s in the northern suburbs of Paris where social and cultural diversity is enormous. The 80s were a huge source of artistic inspiration. In addition to contemporary art and all other movements, there was the appearance in France of graffiti, manga, hip hop, computer science and the evolution of photography and television. All this has to influence. Since my return in the art, I exhibit in the galleries. The Lavomatik, also proposes music, the book …. ART21, a gallery in Montmartre, a district which likes and others a little everywhere.My other activity is in the human and the association. I collaborate with many associations that have been used as a means of communication and income.I collaborated with associations to help orphaned children, children in difficulty, migrants and give them the means to express themselves through Mixart art. An association for the protection of the oceans Bloom.An association against skin cancerAssociations against poverty and exclusion: Emmaus, restaurant of the heart… J organizes painting workshops with children or disabled people and also grafiti classes. My inspirations are unlimited, including painting or in pictures, and I like mixing the two. My philosophical tendencies are in sharing, cohesion and construction or reconstruction away from destruction. My tips are simple. Create with your heart and share your art positively. For my art, I use all media and types of paints, but I have a preference for acrylic and aerosol: street art tools, and for digital photography and desktop publishing. To contact me, I am in the gallery Art21, otherwise by Facebook https://www.facebook.com/The-